If you live or work in NoMad, chances are you’ve dined at (or at least walked by) La Pecora Bianca, the delightful Italian eatery in the historic St. James Building at 26th and Broadway. But save for a few faint reminders, one would never suspect that this site once was home to the Havana Tobacco Company, frequently described in its time as “the finest store in the world.”
Opened in 1904, the Havana Tobacco Company became one of the most popular New York cigar shops of its day. Surrounded by other fine shops at the top of Ladies Mile, and in the center of world-class hotels and the homes of high society, this store had to present an image of exclusivity and sophistication. So, it wasn’t just the fine cigars and tobacco products that made it the “finest store;” it was the architecture and ambience. The shops décor included: tall marble columns. ornate furnishings, luxurious cigar lighter stands, lush palm trees and greenery, and fine oil paintings depicting Havana Harbor. And of course, long rows of glass cases displaying the finest cigars money could buy. Everything about the interior of the store evoked the look and feel of an opulent tropical terrace, transporting patrons back to another time and place—back to old Havana itself.
New York’s Finest Architects
The style of the Havana Tobacco Company can be accredited to the combined work of the most noted architects of New York’s Gilded Age. The St. James was designed by Bruce Price, known for NYC landmarks like the American Surety Building and the Chateau Frontenac in Quebec City. The grand scale Price provided for the ground floor shops was enhanced by the classic but simple grandeur that was the hallmark of McKim, Mead & White. The nation’s leading architectural firm, known for buildings like the original Penn Station and the Brooklyn Museum, among many others, created a powerful but retrained space that gloriously reflected Gilded Age style and elegance, branding the space perfectly for its wealthy local clientele and visitors from abroad.
Fine Landscape Paintings
For the upper walls surrounding the showroom, the tobacco company commissioned a mural comprised of seven or eight oil paintings by Willard Metcalf (1858-1925), a famed artist of the American Impressionist school best known for his landscapes. Metcalf reportedly traveled to Cuba in 1902 to create the original studies for the series, which depicted scenes from Havana Harbor, adding a tasteful touch of brilliance to the showroom. Only one of the original Metcalf panels survives, and it is currently on display at The Art Institute of Chicago.
The Space Today
A few years ago, when La Pecora Bianca owner Mark Barak looked over this storefront as a possible location for his restaurant, he was intrigued by the story of the McKim, Mead & White cigar shop and sought to recapture at least some of the original feeling of the space. Unfortunately, not much of the original store survived the more than 100 intervening years, but Barak chose to build on the bones that were left. If you look at photos of the dining room today compared to the historic photos of the cigar shop, it’s not an exact replica, but one can certainly see the resemblance. Very few changes were made to the shape of the room and the current counter is placed as the original cigar counter was. Perhaps most reminiscent of the original shop are the columns that La Pecora Bianca retained and its ceiling, which is classically beautiful while humanizing the scale of the enormous space. Barak was largely successful at creating a modern functional space for the demands of a new age, while retaining key elements that still make the space graceful and charming just as they did back when Teddy Roosevelt was President.